What do you call the women in hip-hop videos? Are they revered, over-sexualized, demeaned, or empowered? Are they stars or set pieces? Who are the women you see in videos? The series will soon be released as a book of photos and interviews.
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Over the past three decades, the genre has become a career path for countless young women trying to get on in a male-dominated industry that gives aspiring models, dancers, and performers the space to present their bodies as objects of desire. American photographer Brian Finke was not a hip-hop head when he first began shooting for what would become Hip Hop Honeys — a new book from powerHouse that has just released in conjunction with an exhibition of the same name at ClampArt, New York , on view through May 12, A classic rock aficionado hailing from Texas, Finke got involved in hip-hop when he got access to video sets through Jeff, a casting director and co-founder of FaceTime Agency based in New York.
He got me access to the models he represented. It was both high end and low budget stuff. The low-end shoots were great because they had small crews and small sets. I could go into hotel rooms on Park Avenue South and take photos. You could show up and wait around for 10 hours before things get going from the original call time. That is very common.
Sometimes it was very informal. The women would be doing their own makeup and would bring their own outfits, and other times it would be the complete opposite with hair, makeup, and wardrobe. With Hip Hop Honeys , Finke gives us a look at life for the women in the industry, who are using the video circuit as a means to advance their careers as club promoters, models, and dancers. While the line between sexy and sexual fluctuates, the one constant is the element of commerce, which pervades every frame.
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What do you call the women in hip-hop videos? Are they revered, over-sexualized, demeaned, or empowered? Are they stars or set pieces?
Who are the women you see in videos? The series will soon be released as a book of photos and interviews. Flo started appearing in videos when she was 22, and as she tells it, she never set out to be a video girl, but ended up as a hip-hop model.
Ultimately, she stopped appearing in the videos to pursue a B. A in exercise science she just graduated this May and is working to become a fitness trainer and motivational speaker after she gets her M.
A in psychology. We spoke with her about her years in the scene and why she found the work so empowering and transformative. How did you start appearing in music videos and getting into the world of hip-hop?
I was mingling with people who were involved in the music industry because I sing as well. But I was originally living in upstate New York and in a bit of a tight spot. I was attempting to finish school but also had lots of opportunities laid out for me for music and modeling in New York City. I was touring but I had to make a decision, so I took a risk and dropped out of school and chased all the glitz and glam and it was the best decision I ever made. It made me the person I am today.
How do you mean? To be completely honest, I get mixed reviews. I can honestly say that I have never been involved in anything wrong or immoral. I think it definitely has a negative connotation. What kind of nonsense? Are you alluding to the stories or rumors of misogyny that seems prevalent? Have you felt pressure around that? How do you define a hip-hop honey? Some of them have boob jobs, some of them have butt jobs, and some of them are completely natural.
This interview has been edited and condensed. Already a subscriber? Log in or link your magazine subscription. Account Profile. Sign Out. Photo: Brian Finke. Best of The Cut.